DudeAsInCool

Look again, Reg. We aim to please hear at BK :)

I would have thought it was looney, except i didnt know he worked with ron goldman at the restaurant (i used to go there by the way sometimes--a friend lived across the street), and i didnt know that the son had a vendetta against the wife. and the glove fits. how did u put it together? also - i agree with your chinatown description of todays society; if you're rich enough, you can get with murder and fuck your daughter (society)

I recently volunteered to tutor a kid whose in jail for life--the prosecutors created a whole bunch of bunk to put him there.

You think like me. Unfortunately, society seems to be more brutal. I think there are too, too, many people in jail right now...

Perhaps its a split personality, maybe brought on my his domineering dad--im not trying to make excuses for him--but look at neverland... other than walt disney, who would build such a thing?

As I understood it, the kids father in 1993 was just like the mother in this years case.One of the reasons they settle is that whether he's guilty or not, the media would drag the case out and it would harm him more professionally. And if he is guilty, hed want to get it over anyway and quick. I see alot of parallels here and the Kobe case--part of its our puritanical society, and part of it is the media going for sensation (the natl enquirer as become the ny times--and is one of their clients by the way)--and then these malajusted people whose lives were affected by fame at an early age. ps yeah, i think he slept with the kid in 93, and mccauley culkin, probably--but my guess is that the kids were old enough to know better...

Holy Moly: P.S. Question for anyone here (a straw poll). If you were the victim of child abuse, would criminal punishment of your abuser be enough for you ... or would you, like other victims, seek monetary redress in civil court? LOL. I'd take the money. I think Michael is really a child--so in that sense, his relationships with those kids are different mentally than most middle aged men. Do you see himself as a manipulative abuser? I dont quite think his relationships with the kids is quite that--

BS15: I have a suspicion that outside his politics, he might be an ok person--outside his role as a moderator that is lol; I think he takes things a bit too seriously; that said, he wants to put P2P people and Zeropaid in the best light--somehow, our posts are a bit too offbeat for him. He once private emailed me that if I didnt like his moderation, i could go elsewhere. The funny thing is that im more professionally involved in p2ps then he is!

You're the turkey; shoot the pilgrims! http://www.angelfire.lycos.com/doc/arcade/gobble.html

My throat is soar from all my shouting. Although the President inherited some tough times, I think its time for a change, and Im glad these artists can express that for me.

Top 100 Albums of the 90’s Redux It's been just over four years since Pitchfork published its first-ever Top 100 feature, Pitchfork's Top 100 Favorite Albums of the 1990s, and looking back at that list a lot has changed: our perceptions of the decade are different now, our personal tastes have expanded, our knowledge of the music has deepened, and excepting myself, Mark Richardson and Brent DiCrescenzo, the staff has turned over twice. It got me to thinking about how the musical landscape, too, continually changes. Revisionism ushers in new classics which had simply been forgotten, or altogether undiscovered, and while most truly essential albums will always be represented on these types of lists, even their relevance can be dictated by current trends. It occurred to me that, since we have the means, it might be worthwhile to revisit these lists every few years and see how they change. So, over the past few months, the current Pitchfork staff convened to tabulate their revised individual lists, with the ultimate goal of presenting an updated list of 1990s records that have remained essential into the first part of the new decade. A big surprise for me was just how different this new list is from the old one, and how many more albums we all felt deserved inclusion that, unfortunately, a list of only 100 records could not encompass. Among the casualties were Sleater-Kinney, Cat Power, Chavez, The Wrens, Throwing Muses, Spoon, The Roots, Mos Def, Happy Mondays, Archers of Loaf, Amon Tobin, Jay-Z, XTC, Morphine, Royal Trux, Jon Spencer Blues Explosion, Drive Like Jehu, Orbital, Super Furry Animals, Sunny Day Real Estate, Sebadoh, Snoop Dogg, Method Man, Mobb Deep, Low, Codeine, Flying Saucer Attack, The Sea & Cake, Underworld, Polvo, Shudder to Think, Trail of Dead, Cornershop, Shellac, Gang Starr, Gastr del Sol, John Zorn, Coil, Jawbreaker, Autechre, and countless others. But something we could all agree on were that the albums that did make the list belonged there. [NOTE: You are looking at the third and final installment of Pitchfork's Top 100 Albums of the 1990s feature. As an addendum, we will publish the lists of each individual writer tomorrow. Daily reviews and music news will return after the Thanksgiving holiday, on Monday, December 1st. For the entire listings, please go to: http://www.pitchforkmedia.com/top/90s/ Notice Courtesy of Shadow, Thief of the Sun at Zeropaid.com

Cheaptrick: "Fill us in through the "International" forum about some cool Greek & European artists. (list a site or two too)" or 3 or more lol

You are doing great, Method! Keep up the good thoughts.

lol. these guys are pretty tough - theyd probably work your ass off!

I love Dr. John

We just added more forums because we were missing some stuff--and now we are reviewing,cause we probably added too many. Its advice from members like you that wil help us find the right fit. Thanx Method--your ideas are appreciated...

lol

nah.. the lyrics caught my attention, tho. as you can see we have some gaps to fill lol so im trying to get caught up to speed on what the members like here--hence, this one was for you.

Wecome Method.. enjoy your stay :)

sounds like a good link to add to the site. id also add pitchfork.com

i was into ziggy marley for awhile (son of bob)

Here are some potential stocking presents: Maze, Featuring Frankie Beverly - Live In London (Urban Works) Tribute to Chet Atkins - (Rock Entertainment) Concert for George Harrison - London's Royal Albert Hall (Warners) Paul McCartney, Ringo Starr, Eric Clapton, Tom Petty and Ravi Shankar Stanley Jordan - Live in Montreal (Image Ent) Mudwayne - Interviews, Behind the Scenes (Sony Music) Pat Metheny Group - Live in Concert (Eagle Rock Ent) Richard Rodgers 100th Anniversary (Image Ent) Bruce Springsteen - Live in Barcelona (Sony Music) Conway Twitty: On the Mississippi (Eagle Rock Ent) Hank Williams: The Man and His Music (Eagle Rock Ent) (Rolling Stone) Bill Wyman's Blue Odyssey (Image Ent) Chuck Berry, Bo Diddley, John Lee Hooker, Muddy Waters, T-Bone Walker Dixie Chicks: Top of the World Tour (Sony Music) Phantom Planet - Live at the Troubodour (Sony Music)

Interview from Propaganda It was the in the middle of May, not the 18th, but almost. The sun hadn't really risen yet, but other stars had moved all the way to our latitudes. More specifically Christiana, where Strictly Underground had invited a completely sold out Grey Hall and it's excited audience to a show of the most hardcore political bands ever to see the light of day and even gotten commercial success, with what the reviewers have called a preaching auto-monotone-rap-metal-crossover. Never the less, the American Rage Against the Machine is a band that both politically and musically knows how to kick ass... The last time they were at the Grey Hall was with the police's tear gas and everything. This time it was just a revolutionary rock explosion. Propagand's reporter met the charismatic lead singer Zack de la Rocha for a talk before the concert. Propaganda: Could you start off by telling about your political background, before you joined Rage? Zack: At that time I wasn't very active. I let my views be known but, I didn't see the potential in music as a political weapon - a tool for direct action. Today we've been able to create an alternative media that reaches an enormous mount of people, instead of the usual media that misinforms people and only brings stories that serve the ruling class, instead of telling the population about what really happens. When we started the band we were still confused, we had a lot of worries, one was to live out the political words. It stayed at a very personal level but, as I grew up and developed I realised that personal conflicts are directly related to the society's conflicts. P: But you weren't organised in any groups or something like that? You only made music? Zack: Yeah, just music. P: And that was the way you became politically inclined? Zack: No. How I became politically inclined is a completely different question. There are several reasons. My father was a painter. He made giant paintings in East L.A. He was in this group. They were one of the first Chicano-Art-Groups that exhibited at the Los Angeles County Museum of Art. Living with him helped me to see a lot of things that I normally wouldnÕt see, if I had grown up in a perfect family. He read Mao, did a series of paintings for United Farm Workers and always had some incredible answers to all my questions. I also think that my upbringing as a Chicano in a white suburban environment has a lot of effect on my awareness. My parents separated when I was a year old, and I constantly moved back and forth between them and to very different neighbourhoods. From the poor East L.A. where my father lived and to the college in the rich Orange County where my mother lived, where Chicanos like me normally only would be if they had a broom in their hand or filling baskets with strawberries. There was some large oppositions, that I had to realise and learn to handle, and has probably founded my opinions today. Land of the free... P: Is it hard to have opinions like that in the US? Zack: ...Uhm.. Haha. No... it's only hard to get people to listen to them... P: Can you explain the political situation over there in general? Zack: There are two reasons that the American political culture is as immature as it is. The first is the educational system that's been developed to encourage obedience and not critical thinking. The second thing is that the press is pretty extreme to say the least, in the sense that it's the commercial interests that control the US, isn't interested in letting the kids know what's going on in the country and the world outside. They donÕt hear about the Zapatistas in Mexico for example, because the press is so controlled, the news so manipulated and the available information so limited. When you hear more about Mike Tyson's life than you do about the 1500 bodies theyÕve found at the border between the US and Mexico in the last five years you have a serious problem. I think it's those two factors that are responsible for the fact that the US never had a strong political movement. P: There's an enormous oppression going on in the US, where among others, the unemployed is an outcast group that the government ignores totally. Why don't the young unemployed direct their anger and frustration upwards, instead of shooting each other? Zack: I think it has a lot to do with the fact that the government used tax money back in the 50's and 60's for fighting movements they considered rebellious and communist. An example is the Black Panther Party who clearly were revolutionary and with a reason but, with J. Edgar Hoover and the Counter Intelligence Program (COINTELPRO), a 24 hour fight was lead against them, both in the media, in the schools and on the street. It created a big political gap that was filled with very conversative indoctrination, so people just bought it. But now here in the 90's what's happening is there's a subversion of the social rights, of all the things people have been fighting for since the beginning of the century like higher wages, no children's work, eight hour workdays - all these requirements are getting challenged by the commercial life and their minister puppets. We will see a new liberation movement, which is already starting, but not to that great an extent. P: Which groups are in question? We hear nothing here in Europe about what's going on in the US. Zack: Oh, there's several. A big step forward happened after the L.A. riots in '92 where the two largest rivalling violent gangs, Bloods and Crips, made peace. Another important step is the recreation of Black Power Movement in L.A. and people from the old Black Panther Party are helping in organising people in different places in L.A., so the two groups are very much alive. Student organisations are also becoming more and more active in the States, and with a revolutionary goal, as we saw in the 60's. A revolutionary record deal P: Is that why you signed with Sony? To get the message through to as many people as possible and make the lower class more aware? Zack: Yeah, to get as many people as possible to join the political debate, to get the dialogue going. I was wondering today, why would anyone climb to the roof of the American Embassy with a banner that says Free Mumia Abu-Jamal, why do you do that? That's to get the international press attention. The international network that Sony has available, is to me the perfect tool you know, it can get even more people to join a revolutionary awareness and fight. P: We have heard rumours that said that your record company - the multinational record company Sony, produce parts for weapon factories that make nuclear weapons among other things. Zack: ... Yeah but, I'm not sure about that, I don't know anything about it but, I guarantee that there are a lot of companies that make a lot of shit, including stuff for the weapons industry and Sony is probably one of them. It became clear in the 60's that armed fighting had failed, at least temporarily. So what is most important information tool in our time? That's information. To me, not using Sony or abusing them to tell people what's going on in the US and Europe, would be the same if the Zapatistas didnÕt use the guns they've stolen from the Mexican army. P: Yeah but, can't you use them in other ways? We heard that you went to Sony and asked for $30,000 for the Zapatistas? Zack: Yeah, that's right. P: Then, couldn't you say that they abuse you and you abuse them? Zack: Oh yeah, definitely, a kind mutual abusive relationship. Culture and stuff P: Here in Denmark, in our movement we've had discussions about anticulture/subculture - where subculture is more about music and fashion style, as an identity and the anticulture is more of a political revolutionary identity, that can't find enough in itself and wants to break with society. Who do you address, anticulture or subculture or both? Zack: I think we address them both. Not just because we try to spread out political awareness through our music and information, that will inform people about the nature of the American system and the global economical system. But we're also individually engaged directly in our local areas. In the beginning of 1994 I started a centre for political activity for common powers in Harlem Park in North-East L.A., which is a cool way of using Rage Against the Machine's resources and ideas and thereby contribute to a more aware culture. Other than that can we mention a lot of supporting concerts. For example, we made an Anti-Nazi League supporting arrangement in England at Brixton academy, right after a member of The British National Party was elected to a spot in the city council in Brimstone, and we collected 25, 000 pounds and the audience helped in the demonstration against the National Party afterwards. P: Yeah but, there's also a downside to addressing everybody, through commercial ways. For example, on the front of one of our buildings we painted Che Guevara's face, like you have on your T-shirts and single cover and stuff like that but, then one day two guys came by and asked why we had painted the lead singer from Rage Against the Machine on the wall. Zack: Hahahhahahahohohohohehehehehhahehee! P: Aren't you afraid that you'll just become an advertising culture, where the message is forgotten and people only hear the music and wear the shirts without knowing what the symbols mean? Zack: No, I don't think so. Of course there's someone that might be wrong but, usually they'll ask Who's that? , and that gives people a connection. For example, in the US there aren't a lot of people that know who Che Guevara is, who can't name the surrounding islands, they don't know what Haiti is, what Cuba is, they don't know what social system Cuba has. To them itÕs just a bunch of communists... I can understand your scepticism but, for us that image has two sides and we think it's important to give people the possibility to find out who Che Guevara is and most important what he did, why he is such an important person, why we chose to promote him. And it is kinda cooler with a Che Guevara picture in a record store, than other covers of bands with their dicks hanging out of their pants -it makes more sense doesn't it? P: We think that the message on the first record was very clear and straight forward but, on the the new one Evil Empire the lyrics are more ambiguous and abstract and with a lot of slang. We have a hard time on understanding them..... Zack: ..... I can follow you on that. I put a lot of effort into writing the lyrics and communicate but, IÕm not good enough at that at all. Unfortunately I can only speak English, which IÕm very sorry about. I'd wish I could speak more languages so I could communicate with more people, it's a barrier but there's not really anything to do about it - right here and now. Okay, I try, I've been with the Zapatistas in Chiapas, Mexico and unfortuneately always need people to translate. P: If you're alone out there, have heard the message on your CD, what can you do? Zack: I think that people who are isolated from every other proper source of info, you could get a couple of hints on the record, for example about the international campaign against the execution of the political prisoner Mumia Abu-Jamal or the ZapatistaÕs struggle in Mexico. People need to decide for themselves what they will use that knowledge for. Hopefully it will lead to a lot of critical questions, especially in the US because when IÕm in Europe I'm often surprised on how knowing, critical and engaged people are here, in proportions to back home . When I was in Spain on the 1st of May, it completely overwhelmed me. Never have I been with that many engaged people in a civilised country - so aware. P: Why this difference between the US and Europe? Zack: Uhm, I guess its because the US has always been run by fascists. P: So has Spain. He he... Zack: Nah, not always. Except Franco, they have never had the same institutions as we have a tradition for. For example the Ku Klux Klan. In reverse, the US have never had any large workers movements, like many places in Europe, especially in Spain and their syndicates and anarchists... It was in reality a big and well organised movement but, one that I have never been in contact with... But I really dunno, do you? P: Nah, not really, I think it has something to do with traditions and also because it's smaller countries with better connections and possibilities for being able to organise together and because it may be easier to see what's going on with the country. But what about militant resistance, would you encourage people to use militant methods? Or would that be the wrong message to send out? Zack: ... No, no, that wouldn't be a wrong message at all! I would support an armed rebellion, if the message gets properly through. An armed rebellion for a society where people donÕt have to sell themselves to prostitution, cheap workforce etc to survive. A society that changes the differences between men and women, an armed rebellion that learns from the soviet Òcommunists' errors, that forced a system down on people. P: We have heard some rumours about you supporting Shining Path in Peru, (who are known for killing their opponents in the most brutal and fierce ways and treat the local populace like enemies if the government army is in their village and so on). Zack: You should talk to Tom about that. I don't personally support them. I support some of the things they fight for. I don't think Fujimori (president of Peru) should remain in power, I think they should wrestle themselves out of the US' clutches and get control over their own faith, like all the other countries in Central and South America. But I think that Shining Path repeat a lot of errors that they should have learned from throughout history. I think that if Shining Path got control, it wouldn't change anything about the Peruvian people's situation. It would just be someone else in power. P: How far would you go yourself? Zack: ...How could I answer that now...We'll have to see what happens. Inside I feel spiritually related to the Zapatistas, I don't feel I can neither be satisfied nor alive if I donÕt fight for the weakest in society. But I won't join any armed group if I don't feel the conditions are right. The most important thing right now is to educate, inform and make people aware until time is ready for an armed fight... and Rage is part of that process... P: But you have so many privileges as a rock star, so it may be hard for you to say how far you will go... Zack: ... No, no. The money and the influence hasn't changed who I am and what I fight for. THAT'S FOR SURE! Text: The Propaganda Writing Staff Translation: Rasmus Lund-Hansen

I like arttists that think out of the box - this guy is the real deal.

Although he's been adopted by the teeny bop crowd, I think this guy is a really talented songwriter and guitarist. It will be interesting to see what he does as he matures...